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Editorial
Welcome to the new version of Shiai Magazine “The International African Martial Arts Magazine”
Researching and promoting traditional and modern African arts of war(African martial arts) from Cameroon, South Africa, Egypt, Brazil, United States, England, France, Australia, Jamaica and every way around the world where African Diaspora community (...)
The most recent articlesRon Van CliefThe Black Dragon
Tuesday 9 March 2010
by SHIAIMAGAZINE, Aurélien Henry OBAMA
I have studied several African forms of the martial arts and have been mentored by Oso Tayari Casel, Mfudishi Maasi. ANGOLA CAPOEIRA and Brazilian Jiu jitsu(afro-Brazilian)...All wrestling forms were founded in African roots > continue
Asian American Stunt and Fight Coordinator
John KRENGAuthor of Fight Choreography: The Art of Non‐Verbal Dialogue
Tuesday 19 January 2010
by SHIAIMAGAZINE, Aurélien Henry OBAMA
Of course. Charisma does not see the color of ones skin or ethnicity. Look at the diverse names you mentioned. I feel charisma is something that comes from within a person’s soul and spirit and able to bring it up on cue when the cameras roll. I have seen many gifted martial artists who (...) > continue
Robert ParhamAfrican American Martial Arts Film Actor and Grandmaster of Comba-Tai
Sunday 10 January 2010
by SHIAIMAGAZINE, Aurélien Henry OBAMA
Obstacles are things that people put in your way. If you don’t give credence to these obstacles, then there is no excuse for not being successful. My martial arts career started in Mississippi, once highly considered the most racist state in America. I’m sure that people have tried to put (...) > continue
Claude GOETZ Master of the Martial Arts Film Star Jean Claude Van Damme
Wednesday 23 December 2009
by SHIAIMAGAZINE, Aurélien Henry OBAMA
I think that it’s impossible to find in another culture the dance as in the African dance, it’s a very beautiful and spontaneous, I think. JCVD did classical ballet to increase the elegance and a little his general flexibility, I had a precise idea for advising JCVD to do (...) > continue
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